¶ … John Bowen in "The Myth of Global Ethnic Conflict" and Samuel Huntington in "The Clash of Civilizations," indicates that there are points of both commonalities and differences between these authors. Interestingly enough, one can hypothesize that the differences between these writings will be aligned with the nature of the publications in which they were presented: Bowen's was published in the more egalitarian "Journal of Democracy" while Huntington's appeared in the more traditional "Foreign Affairs." The principle point of similarity between the authors exists in their conception of the role of the nation state in global conflict; the author's widely differ as to the reason for those conflicts and for their future ramifications. Bowens states clearly and often that the initial source for many of the inter-ethnic conflicts that take place within a particular nation state or between neighboring nation states has to do with the emergence of those regions as nation states. The notion of nation states initially emerged in the middle of the 17th century with the solidification of the Treaty of Westphalia. According to Bowen, this conception was induced into peoples who previously did not distinguish themselves along the lines of a nation state in order to divide them and cause conflict between them. In many instances, the author argues that treaties between different ethnicities, such as the Tutsis and the Hutu's in Rwanda, are remnants from colonialism...
This example is one of the many in which European colonists came into a region that previously had peaceful relations between peoples of different (yet related ethnicities), favored one over the other (usually due to an aptitude for speaking English, in the case of British colonialism) and made certain social and political changes to that region that was the actual source of conflict. Such conflict, then, was not originally ethnic in nature, but due to colonial divisions and favoritism that resulted in individual identities along the lines which nation states were then reared and grounds for contestation with one another.
He is just as surreal as Palahniuk's Tyler Durden, and yet he is not freeing any hero from consumerist enslavement but -- on the other hand -- burying the reader behind a false and deluded masculine mythology -- namely, that a masculine hero is virile not because he "knows himself" and seeks virtue but because he knows how to drive fast cars, win at cards, be physically fit and
notes in "Public Enemy: Power to the People and the Beats," the Civil Rights Movement did not change living conditions for many black Americans: The famous Civil Rights movement, which began in the fifties with Martin Luther King and reached a climax in the late sixties with the spread of the Black Panther Party, in reality failed to bring a significant improvement in the living standard for the oppressed black
It is also important to note that major offenses within the fight club are punished through castration, as if to imply that the punished person is no longer a man and therefore no longer worthy of being part of the violent organization. The roles of women in Fight Club are extremely limited. Marla Singer is the only female character in the film. She shares qualities that are present in "Durden,"
Origins of WarIntroductionThe origins of war—are they inherent within the human condition? Are they part of the human personality, the human spirit, the inner turmoil and conflict in the psyche or soul? Why do people fight? Why does conflict exist in society? These questions and those like them get to the heart of the human condition and have been asked by philosophers, psychologists, sociologists, politicians, theologians, and anyone who ever
Fight Club" and the creation of a false urban masculinity in cinematic and real life One of the most interesting aspects of the narrative art is seen in the unpredictable ways in which individuals are apt to embrace filmic narration and cinematic narrative techniques and to transfer them into the narrative texture of their own lives. Also reflected in this phenomenon is the fact that viewers can develop ways of
people get so cheesed off in an argument? These days it may be about politics, but it can also be about religion, sports, work, etc. Why do people get so angry when making an argument, but not, say, when telling a story? There is a huge difference between arguing and narrating a story. With most arguments, the person's self is intrinsically involved. He or she is supporting a viewpoint that he
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